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Copyright 2003 The Conde Nast Publications, Inc.
The New Yorker
September 29, 2003

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SECTION: THE CRITICS; Briefly Noted; Pg. 107

LENGTH: 619 words

BODY:

Madam Secretary, by Madeleine Albright and Bill Woodward (Miramax; $27.95). This memoir by America's first female Secretary of State is a deeply conventional book, full of long accounts of negotiations and reflections on the proper uses of American power. Albright is not out to settle scores (her criticisms of colleagues are mild at worst) and seems, on balance, pleased with the foreign-policy record of the Clinton Administration. This might have made a dull book, were it not for Albright's appealing character-personally ingenuous but professionally sophisticated, earnest but hard-nosed. Her eye for details-clothing, food, travel conditions-helps bring the diplomat's world to life, and her portraits of foreign leaders are lively and evocative. The result is a book that creates a sense of policy made by real people, not by world-bestriding titans.

Chasing the Sea, by Tom Bissell (Pantheon; $24.95). The title of this erratic but enthralling travelogue refers to the attempts of fishermen in Central Asia to pursue the receding waters of the Aral Sea, which has shrunk, since 1960, to less than a third of its original size. In 2001, the author, a self-described "adventure journalist" and failed Peace Corps volunteer, arrives in Uzbekistan to investigate this ecological disaster. Bissell doesn't so much chase the sea as meander toward it, and nine-tenths of the book concerns his detours-to Samarkand, Bukhara, and the guerrilla-infested mountains of Kyrgyzstan-and his run-ins with suspicious local police forces. Bissell shines as a raconteur, if not as an analyst, and his ebullient narrative harks back to the travel classics of the nineteenth century, when the journey was an end in itself.

The Time Traveler's Wife, by Audrey Niffenegger (MacAdam/Cage; $25). Young lovers often believe themselves crossed by fate or by time, but those in Niffenegger's spirited first novel have more reason than most. Henry suffers from Chrono-Impairment-a quasi-medical condition that catapults him, unwillingly, from one random point in time to another. Clare first meets him in 1977, when she is six and he materializes near her parents' garden as a thirty-six-year-old from 2000; he returns regularly throughout her childhood from different times in their shared future. At last, when Clare is twenty and Henry twenty-eight, they meet in his present, and the relationship begins in earnest. But romance proves even trickier than usual when one person keeps vanishing to distant, and occasionally dangerous, times. Niffenegger plays ingeniously in her temporal hall of mirrors, but fails to make the connection between the lovers as compelling as their odd predicament.

Timoleon Vieta Come Home, by Dan Rhodes (Canongate; $23). Carthusians Cockroft, a washed-up composer of British TV jingles, lives in a disintegrating farmhouse in Umbria, his solitude relieved only by a faithful dog, Timoleon Vieta, and a procession of exceptionally fickle boyfriends. Petty and stupid, full of drink and self-pity, Cockroft is a wonderful creation. (He indulges in ludicrously aestheticized fantasies of suicide, such as throwing himself from the top of the Colosseum and "quietly and nakedly falling at the dead of night. ") Rhodes never quite succeeds in making this character into a novel. A young hunk, obviously a nasty piece of work, shows up and forces Cockroft to abandon the dog in Rome. The second half of the book, in ironic homage to "Lassie Come-Home," narrates the dog's return by sketching the life stories of those he encounters. Rhodes demonstrates his ability to spin an engaging tale time and again, but to less and less effect with each iteration.

LOAD-DATE: September 29, 2003

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