Timothy McSweeney's Header Image

Dispatches From
the Napoleonic Wars
at the Met.

- - - -

Here we follow the trials and tribulations of a mild-mannered New Jersey man who has bravely decided to be an extra in the Metropolitan Opera's production of Prokofiev's adaptation of Tolstoy's War and Peace.

- - - -

D I S P A T C H   5

I Surrender
Like My Name
Is Pierre.

By Rob Jacklosky

- - - -

The mugger demands $20 in exchange for my cell phone, which I handed him after helpfully dialing a number for him. That was before I knew he was a mugger, when I thought he was a man in distress. That was before he dropped his plaintive tone and said, with a dash of menace, "This is how it's going to work ..."

Now, I look around the pitch-black park. I felt like a rugged Russian soldier just a few minutes ago, but the mugger recognized me for the chorus boy I in fact am. I could leave my phone and run up the hill. The marching on the moon has made me exceptionally fit on hills. But would a Russian soldier run?

He's waiting for his $20. He's wearing a brightly patterned hoodie, and, from what I can make out, he looks like 30 Rock's Tracy Morgan, only stouter and broader, and he's not trying to make me laugh. I'm hemming and hawing, and reaching into the pockets of my specially bought marching outfit, which luckily looks a lot like black sweats, pretending not to find anything. We are paid in cash, so I have about $80 in my pockets. "I don't have any money. Can't you see I was ..." I pause, thinking, Marching in an opera? Pretending to be a Russian soldier in War and Peace? No, I can't say that. "Can't you see I was ... working out at the gym?"

He looks me up and down and believes me. I offer him the $12 in my right pocket, not the $70 in my left. "I'm not robbing you," he says, and offers to go home with me so I can get the other $8 I apparently owe him for my phone. This seems so silly that I summon a fraction of Cossack here. I stand erect, as Sasha always instructs us, with my feet together, toes slightly apart, and say, "That's not going to happen. Keep the phone." Then I kroo gom (about-face) and begin walking away. Really, almost a shagom marsh (ready, march) movement, and then nearly a goose step, with my arms stiff at my sides, fists with thumbs behind seams, back ramrod-straight. This is more fear than training. My mugger doesn't quite know what to make of it, so he just accepts the $12, calls after me that he doesn't want my phone, and tosses it to me.

It's worse at the police station, which is where the responding officer has taken me. "What were you doing in the park at 11 p.m.?" the officer asks in his thick Bronx accent.

"I was on my way home from work," I say.

"I thought you said you worked here at the college."

"On my way back from being in Manhattan," I correct myself. He's going to ask. He is going to ask why I was in Manhattan. I wonder if I should lie. He looks me up and down. I'm going to have to say, "I'm a supernumerary at the Metropolitan Opera." He's going say, "A super what? A super-duper fairy?"

When I describe the interaction I had with "Tracy Morgan" and casually refer to him as "the mugger" or "the robber," the officer corrects me. Technically, he was neither, he explains. "He asked to use your phone. And you gave it to him." Then he says, "It might have been larceny," more to the other cop in the room, on a bench against the wall, than to me. He demonstrates. He takes my cell phone off the table: "This is larceny." Then he puts it back and takes it again and raises his fist as if he's going to hit me: "This is robbery." He looks over at the cop on the bench. "The difference is the threat of physical force if you don't let me take it." The other cop smiles. "So, legally, he was right: he wasn't robbing you. Besides, if he says it's not robbery, then it's not. That's the rule." They both laugh. That's right, everyone, have a good time.

I'm asked to look at a bunch of photos to identify my "attacker." Only, by now, another detective has downgraded my experience to "extortion" and commented that he's worried a defense attorney will call it "aggressive panhandling." So now I can't even claim the glory of being mugged. Rather, I simply went along with an "aggressive panhandle." It's not that the police aren't going to pursue it, but they'll do so with a certain ironic distance.

I was so proud of myself for marching well just 30 minutes ago, and suddenly it seems less serious in this real world of real dangers, like aggressive panhandling. I'm ashamed of myself. I know that if this detective knew what I was doing—what put me in that park at that hour—he'd give me a look, snap his police book shut, and stop wasting his time. He'd like the mugger more than he likes me, I can tell. So would the men in the regiment, most of whom are muscular and no-nonsense, like the mugger and the police. When they don't look like tiny chorus boys, that is.

 

MORE DISPATCHES

 

- - - -

MAIN PAGE   |   ARCHIVES

 

Memories of Amanda Davis

 


Red dot denotes content that is new today.

Black dot denotes newish content.

McSWEENEY'S STORE

SUBSCRIBE TO:
McSWEENEY'S
THE BELIEVER
WHOLPHIN

FUTURE McSWEENEY'S BOOKS

THE AMANDA DAVIS HIGHWIRE FICTION AWARD

INVITE A McSWEENEY'S AUTHOR TO SPEAK IN YOUR TOWN OR COLLEGE

McSWEENEY'S MONTHLY MAILING LIST

McSWEENEY'S-RELATED EVENTS AND VARIOUS TOUR DATES

ORDER INQUIRIES AND ADDRESS CHANGES

SUBMISSION GUIDELINES:
FOR BOOKS
FOR THE QUARTERLY
FOR THE WEBSITE
FOR WHOLPHIN

McSWEENEY'S INTERNSHIPS

CONTACT US

- - - -

LETTERS TO McSWEENEY'S

LISTS

McSWEENEY'S PREDICTS

McSWEENEY'S RECOMMENDS

NEW WHOLPHIN FILM

DAN LIEBERT, VERBAL CARTOONIST

JOKES BY BRIAN BEATTY

REVIEWS OF NEW FOOD

DISPATCHES FROM MOSCOW

SO YOU WANT TO BE PRESIDENT?

DISPATCHES FROM THE ANACOSTIA

THE WINNER'S CIRCLE WITH ERIC FEEZELL

BEN GREENMAN'S FAKE CELEBRITY MUSICALS

DISPATCHES FROM A HUMANITARIAN JOURNALIST

DISPATCHES FROM IRAQ

SHORT IMAGINED MONOLOGUES

PHILIP GRAHAM SPENDS A YEAR IN LISBON

STAINED TEETH: A COLUMN ABOUT WINE

DISPATCHES FROM THE NAPOLEONIC WARS AT THE MET

KEVIN DOLGIN TELLS YOU ABOUT PLACES YOU SHOULD GO IN EUROPE

LAWRENCE WESCHLER'S EVERYTHING THAT RISES: A BOOK OF CONVERGENCES

THE CONVERGENCES CONTEST

ABOUT WHAT IS THE WHAT

ABOUT BOWL OF CHERRIES

ABOUT COMEDY BY THE NUMBERS

ABOUT JOHN BRANDON'S ARKANSAS

LETTERS FROM AN EARTH BALL TO, OR CONCERNING, SEAN HANNITY

DISPATCHES FROM ADJUNCT FACULTY AT A LARGE STATE UNIVERSITY

ADVICE FROM A PERSON WITH A BACHELOR'S DEGREE IN PSYCHOLOGY

DISPATCHES FROM THE NBA ENTERTAINMENT LEAGUE

JOHN MOE'S POP-SONG CORRESPONDENCES

B.R. COHEN'S ANNALS OF SCIENCE

INTERVIEWS WITH PEOPLE WHO HAVE INTERESTING OR UNUSUAL JOBS

OPEN LETTERS TO PEOPLE OR ENTITIES WHO ARE UNLIKELY TO RESPOND

DISPATCHES FROM A PUBLIC LIBRARIAN

MICHAEL IAN BLACK IS A VERY FAMOUS CELEBRITY

DISPATCHES FROM ROY KESEY, AN AMERICAN GUY MARRIED TO
A PERUVIAN DIPLOMAT LIVING IN CHINA


STEPHEN ELLIOTT'S POKER REPORT

- - - -

ADDITIONAL MATERIAL