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Baghdad: The Disappeared Girls.
BY MARILYN KRYSL
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Luxury, then, is a way of being ignorant. —Amiri Baraka
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A girl outside the primary-schoolyard gate has disappeared. Another—no one sees— doesn't come home. A black car ate a broken girl's shrill scream. Her father: She's my jewel! I curse the West. We didn't ask for war. Those men who come: don't they have daughters?
War slams down. Doors swing shut. Daughters stay in. One father drove a truck, his gate stood open, he paid his daughter's school. The war blasts on. His girl's smart: her teacher sees in her another teacher. Now his gold leaves school to sweep a floor: another broken
promise. No truck, no work: he owns his broken heart, and hers. Other pink-blouse daughters watch TV all day. Behind each sapphire three thousand sweating horses. Behind each gate a girl on hold. Scared. And bored—how seize the day? They wilt. Lose weight. They are my war—
I who buy the Uzis, mortars. (War is terrorism: Howard Zinn.) Our broken treaties fan my shame: dead girls, dead seas. We polish our luxuries. These daughters and these sons are ours, and ours the gate that shuts our children out. There goes an emerald
of a girl—to assemble mortars. This amethyst works at the land-mine plant. War is war against the spirit. Break it, smash the gate, desecrate the altar. Something's broken? Toss it. Buy another. Another daughter puts on pink pants, a pink hairband, a rhinestone
ring. Then she sits down and weeps. She sees that spill of light across the floor, pearls the sun lays down as though she's some god's daughter. Zinn again: War is always war against children. We're good at making broken things. It's easy as shopping. Our aggregate:
indifference, comfort, war. Here's a gate made of diamonds. Open it. That broken girl, our daughter, waits here, and she sees.
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