cosby-codex

Selections From the Cosby Codex: Selection 18: And So We Commence: Notes toward an Epilogue and Conclusion to the Cosby Codex

Selections From the Cosby Codex: Selection 17: The Huxtable Narrative as Renaissance Political Allegory or Claire Huxtable’s Machiavellianism and Theo’s Lutheranism

Selections From the Cosby Codex: Selection 16:
Thus Spake Cliff Huxtable: The Ever Nietzschian Cliff Huxtable or Some Thoughts On Cliff Huxtable as Übermensch

Selections From the Cosby Codex: Selection 14: Part Two of Toward a Conception of Blakian Prophetic Mythology in (and through) the Huxtable Narrative: The Many Worlds (and Multiple Histories) of Bill Cosby and the Quantum Suicide of Cliff Huxtable.

Selections From the Cosby Codex: Selection 13: The Huxtables and the Disaster(s) of Olivia Kendall or Toward a Conception of Blakian Prophetic Mythology in (and Through) the Huxtable Narrative. PART ONE

Selections From the Cosby Codex: Selection 9: Yet another Interlude: The Huxtables and the Failures of the 1960s; Modernist Impressionism, Rorschach and Cliff’s Sweaters; and the (((im))possible) Confessions of an African-American Opium Eater

Selections From the Cosby Codex: Selection 8: Contemporary American Political and Social Allegory in The Cosby Show or How Cliff Huxtable Learned to Suffer and Long for the Bomb

Selections From the Cosby Codex: Selection 7: Love and Death on Stigwood Avenue; or The Huxtables and the Gift of Death; or, for That Matter, Toward a Vision of The David Crosby Codex

Selections From the Cosby Codex: Selection 6: Interlude: The Trauma of “The Dentist,” New Perspectives, and Something of a Manifesto of Cosby Studies

Selections From the Cosby Codex: Selection 5: On “The Dentist,” The Satanic Agency of Dr. Burns, Dr. Burns as Postmodern Renaissance Man, Worshipping the Clinic and Rudy’s Hetero-Ontological Superconciousness, Part One